debuted
Summerhall, Edinburgh Fringe | Aug 2024
written + directed by
Emma Howlett (after Chekhov)
performed by
Sophie Kean
Abby McCann
Angela Sant'Albano
set + costume design by
Ellie Wintour
lighting design by
Ed Saunders
original score by
Sarah Spencer
images by
Giulia Ferrando
awards
Summerhall Lustrum Award Winner 2024
press
‘Sisters Three is ingenious...it's intelligent stuff and performed with verve.’
Lyn Gardner, Stagedoor
‘My favourite shows of this year's festival...have been metatheatrical capers like Sisters Three’
Fergus Morgan, The Stage
‘Trios of women recur across Western culture…This second show from TheatreGoose - the…terribly exciting emerging company that impressed at last year’s festival with Her Green Hell - is an absorbing, metatheatrical romp through them all.’
★★★★ The Stage
‘Last seen at the fringe with excellent solo show Her Green Hell, TheatreGoose is back with another highly physical, female-centred work…A fascinating idea that leads slowly but surely to a glorious sense of empowerment.’
★★★★ The List
‘TheatreGoose’s Sisters Three is a highly accomplished piece of theatre…wondrously entertaining’
★★★★ NorthWestEnd UK
‘TheatreGoose’s production goes deeper, unlocking subtextual nuances and unspoken conflicts within the original text. Visually, the production enchants and unsettles. TheatreGoose’s production not only honours its source material but also challenges the audience to reconsider the narratives we inherit and the roles we are expected to play.’
★★★★ Corr Blimey
debuted
VAULT Festival | Feb 2023
transferred
Summerhall, Edinburgh Fringe | Aug 2023
developed with
Theatre Royal Plymouth | Mar 2024
toured
The Drum, Theatre Royal Plymouth | May 2024
Ustinov Studio, Theatre Royal Bath | Sept 2024
written + directed by
Emma Howlett
performed + dramaturgy by
Sophie Kean
set + costume design by
Ellie Wintour
lighting design by
Ed Saunders
original score by
Sarah Spencer
images by
Alex Brenner, Giulia Ferrando
awards
shortlisted for BBC Popcorn New Writing Award
nominated for OFFEST Award, Edinburgh Fringe
nominated for OFFEST Award, VAULT Festival
press
‘...the most engaging and dynamic performance I have ever seen..an adventurous, innovative, and thought-provoking piece of theatre.’
★★★★★ Radio Exe
‘...not a million miles away from Complicité's seminal The Encounter...one hell of a compliment.’
‘deliriously spirals from straightforward storytelling into something deeper, darker, and weirder.’
★★★★ The Stage
‘...so compelling is her performance and so fascinating is the story that we're gripped from start to finish.’
★★★★ The Scotsman
‘...vivid and heart-stopping...’
★★★★ The List
‘...a spellbinding account of loss, humility and resilience.’
★★★★ Fest Mag
‘Her Green Hell is an impressive piece of work, poignant and impactful in its execution.’
★★★★ Everything Theatre
‘...nothing short of spectacular.’
★★★★ British Theatre Guide
played
Bridge Theatre Brussels, Belgium | Nov 2023
written by
George Brant
directed by
Emma Howlett
performed by
Letty Thomas
set + costume design by
Ellie Wintour
lighting design by
Ed Saunders
original score by
Sarah Spencer
images by
Giulia Ferrando
general press
‘a one-woman play about a female fighter pilot...directed by Emma Howlett and starring Letty Thomas. “It's been a goal of mine to work in Europe” says Howlett. She staged the play in Full Circle House, a members' club in Brussels. Despite it being a solo show, Howlett wanted to create something dynamic and physical as possible. The design played a part in this. “I wanted it to feel like an installation,” she says.’
Natasha Tripney, The Stage
‘The English-language production will be directed by Emma Howlett, a talented young director based in London, and stars Letty Thomas in the lead role of the Pilot.’
The Brussels Times
played
Oxford Playhouse | Feb 2019
written by
Lucy Prebble
directed by
Emma Howlett
performed by
Jamie de Villiers
Alex Rugman
Abby McCann
Jonny Wiles
Staś Butler
Lee Simmonds
Matilda Hadcock
Donna Marcus Duke
James Walsh
Susannah Townsend
Laura Day
Chris Dodsworth
set + costume design by
Nelly Hayes
lighting design by
Ben Darwent
original score by
Sarah Spencer, Jake de Glanville
images by
Olivia White, Charlie Smith
press
‘This staging was absolutely captivating: I found I couldn’t take my eyes away for the entire performance.’
★★★★★ Cherwell
‘Director Emma Howlett marshals the production together superbly, proving a talent to keep an eye on.’
Daily Info, Oxford
‘A triumph of theatrical confidence.’
TheatreWorld Magazine
‘A polished masterpiece of student theatre that I would happily watch again.
There is no aspect of the production that I can fault’
Oxford Opening Night
‘Simply put, the show is nothing short of masterfully executed, and a must-see if you want a wonderful blend of creativity and intellectual engagement.’
The Poor Print
A VIEW FROM THE BRIDGE
by Arthur Miller
dir. Lindsay Posner
Theatre Royal Haymarket, West End | July 2024
Theatre Royal Bath | Mar 2024
Johan Persson
FARM HALL
by Katherine Moar
dir. Stephen Unwin
Theatre Royal Haymarket, West End | Aug 2024
UK Tour | May 2023
Theatre Royal Bath | Mar 2023
Alex Brenner
COPENHAGEN
by Michael Frayn
dir. Polly Findlay
UK Tour | Jul 2022
Theatre Royal Bath | Nov 2020
Nobby Clark
MY FAIR LADY
by Lerner and Loewe
ADC Theatre, Cambridge | Feb 2020
press
‘...a wonderfully charming and whimsical performance as well as a thoroughly successful reinvention of a loved classic.’
★★★★★ The Tab
'a stone’s throw away from being a perfect show...Brecht would be proud.'
★★★★ Varsity
Olivia White
NSFW
by Lucy Kirkwood
Michael Pilch Studio | May 2018
press
‘...a felicitous conjunction of timely script and very skilful direction. Great stuff from TheatreGoose.’
Daily Info
'TheatreGoose’s production...treats its subject with flawlessly executed precision, wit and sensitivity, unpeeling layers of misogyny.'
The Oxford Student
REVOLT. SHE SAID. REVOLT AGAIN.
by Alice Birch
Michael Pilch Studio, Oxford | Jan 2018
press
'...a perfect balance between unsettling humour and sincere urgency...brilliant acting, skillful direction, and innovative use of lighting and space.'
Cherwell
